I am delighted to be featured on The Brown Bookshelf website. Below is an excerpt from the article. Please visit The Brown Bookshelf to read the entire feature.
Throwback Thursday: Margaree King Mitchell
The tagline of Margaree King Mitchell’s website is “Creating Stories that Inspire.” Indeed her moving titles, from picture books to YA, touch children and adults and show the potential for greatness that lies within each of us. Her Coretta Scott King Honor Award-winning book, Uncle Jed’s Barbershop, debuted in 1993 and became a classic featured in classrooms and libraries, Reading Rainbow and theaters. Is it any wonder that people eagerly awaited a second collaboration by Margaree and acclaimed illustrator James E. Ransome? We featured Margaree as a 28 Days Later honoree the year that stirring book, When Grandmama Sings, debuted. It was another intergenerational treasure, rooted in black history, that stayed with you long after you put it down.
Enjoy Margaree from February 28, 2012
If you are at all familiar with the picture book genre, you’ve likely heard of Uncle Jed’s Barbershop, the much heralded, 1994 Coretta Scott King Honor Book. Margaree King Mitchell is the author of that still-popular title, as well as Granddaddy’s Gift (1996).
Her latest book, When Grandmama Sings, was released last month to wonderful reviews. As we wind down this year’s campaign, it is an honor to feature the words and work of Margaree King Mitchell.
Visit The Brown Bookshelf to read features on African-American authors and illustrators.
From School Library Journal:
Gr-2-4 – Set in the segregated South of the 1950s, Mitchell’s poignant story features eight-year old Belle and her loving, stalwart African-American family. When Grandmama, who can’t read but whose singing voice captures the hearts of all who hear her, joins a jazz band for a tour of the South, Belle pleads to go along. Thrilled to expand her world beyond Pecan Flats, MS, she experiences firsthand the difficulties her people face: hotels marked “White Only,” diners that refuse them service, police who search their cars and luggage for no reason. Through it all, Grandmama sings to growing crowds, believing in the power of music to bring people together. When, at the story’s end, a recording contract beckons her “up north,” Grandmama tells Belle to believe in herself and “sing her own song.” Ransome’s full-page images, rich in color and feeling, portray the landscape of the South and the individual emotions of the characters with equal aplomb. Placed in the past, the message is still relevant for children today.” (Barbara Elleman, Eric Carle Museum of Picture Book Art, Amherst, MA
From Kirkus Reviews:
Belle joins her beloved grandmother, a jazz singer, on a summer tour of Southern towns and sees that segregation is everywhere—not just at home in Mississippi.
Holding tight to her uncle’s lucky rabbit’s foot, Belle watches as Grandmama and the musicians face the ugliness of Jim Crow in diners and theaters and on the road. In Alabama, the police dump their belongings on the roadside, a state’s welcome. She also listens as her grandmother shares her dreams for an integrated society and thrills to her resounding performance on stage in Atlanta, one that leads to an offer to make recordings for a company up North. It’s a moment that inspires Belle to dream, because “the promise of her song helped me believe in myself.” As in Uncle Jed’s Barbershop (1993), for which Ransome won a Coretta Scott King Illustrator Honor, Mitchell has crafted another compelling story of an African-American family both strong and determined despite the all-powerful clamp of racism. Ransome uses watercolors in warm tones of yellows and browns to reveal nuances of expression and the warmth of family and community.
A gentle story that shows the everyday realities of segregation through the observant eye of a child. (Picture book. 5-9)
From Publishers Weekly:
“Mitchell and Ransome, the team behind Coretta Scott King Honor–winner Uncle Jed’s Barbershop, reunite for another story set in the early 20th century, in which intimate family relationships are set against a backdrop of racial segregation. Eight-year-old narrator Belle lives with her parents and Grandmama in the fictional town of Pecan Flats, Miss. Grandmama’s singing voice has earned her local fame, and when a man offers to “book her and a band on a small singing tour of the South,” she agrees, bringing Belle along for the ride. Written in the past tense, Belle’s narration has an elegiac quality, but while the band encounters plenty of discrimination on the road, triumphs outweigh setbacks (and Grandmama doesn’t come to any serious harm). Ransome’s lovely, naturalistic watercolors draw out a wealth of emotions from the characters, particularly Grandmama, whose expressions range from weariness to passion while she’s singing, and determination, such as when she slams money on the counter of a restaurant that won’t serve them. It’s a stirring reminder that it’s never too late to chase one’s dreams, no matter the obstacles. Ages 5–9. (Jan.)”
From The Horn Book:
From the author and the illustrator of Uncle Jed’s Barbershop (rev. 11/93) comes another picture book about life in the segregated South. The narrator recounts her grandmother’s story—she couldn’t read but “always had a song to sing”—which centers on Grandmama’s singing tour with her eight-year-old granddaughter there to keenly observe everything. Grandmama and her musicians initially draw small crowds, and Belle nervously points out the “whites only” signs wherever they go, but Grandmama is undeterred. Gradually word spreads about Grandmama’s talent as the tour continues, but the group still must contend with suspicion from Alabama police. The narration is calm and matter-of-fact, like Grandmama, who remains focused on what’s right, while in contrast Ransome’s paintings show the shame, sadness, and anger the characters feel. Mitchell’s latest picture book gives modern-day children a realistic depiction of the small humiliations and frightening moments African American travelers went through in their daily lives during the Jim Crow era, and it makes an excellent book for discussion. – Susan Dove Lempke
From Elizabeth Bird’s Librarian Preview:
Remember Uncle Jed’s Barbershop by Margaree King Mitchell, and illustrated by James Ransome? I sure as heck do because that book ends up on a lot of school lists of required reading. Well, that book came out in 1993 and is still in print to this day. Now Mitchell and Ransome have reunited at long last in When Grandmama Sings. In this picture book (historical) a girl can read and her grandma can’t. When her grandmother’s singing gives her a chance to go on tour she does so with her granddaughter. The trouble? They’re touring the segregated south. This is a book that covers both a meaningful relationship and history. A good companion to last year’s The Green Book by Calvin Ramsey and Floyd Cooper, don’t you think?